The Details
The signature characteristics of Geometrical Abstraction were tightly patterned geometrical figures, vibrant colors, and an effective use of space. These abstractionists continued the work in two-dimensions to produce flat designs. Synthetic Cubism, characterized by abstract space, synthesized shapes, and constructional layout, became the defining influence on Geometric Abstraction. Other Cubist techniques of papiers colls and collage also had a profound impact on this style, where the inherent flatness of the composition and the interrelation of the various Geometric components ‘spoke’ a pictorial language. The ‘realistic’ existence of forms and spaces ceased to have relevance for the Geometric Abstractionists, who made conscious attempts to strip down their portrayal to the linear existence of the visible aspects. Like most of the Abstract Art genres, Geometric Expression put a primer on the color schemes. The themes of the works mainly drove the color choice.

The Artists & Artworks
Kazimir Malevichs ‘Black Square’ is a monochrome design, whereas Piet Mondrian’s ‘Composition No. 10′ (1939-42) is composed of the sections of fundamental colors – red, blue, and yellow. Among the leading names associated with Geometric Abstraction included Frank Stella, Josef Albers, Richard Anuszkiewicz, Frantisek Kupka, Ellsworth Kelly, Tony DeLap, Wassily Kandinsky, Ronald Davis, Kazimir Malevich, Sndor Bortnyik,Alexander Rodchenko, Theo van Doesburg, Sophie Taeuber-Arp, Piet Mondrian, Peter Graham, Victor Vasarely, Lajos Kassk, Peter Laszlo Peri, Max Bill, Nadir Afonso, Vieira da Silva, Kenneth Noland, Jack Reilly, Gordon Walters, John Levee, Thomas Downing, Burgoyne Diller, Leon Goldin, Sean Scully, Gnter Fruhtrunk, Ilya Bolotowsky, George Johnson, and Larry Zox.

In 1965, an exhibition named ‘The Responsive Eye’ was held in the Museum of Modern Art, New York, which bolstered the cause of Modern Art, particularly Geometric Abstraction, greatly. According to the famous art curator William Seitz, the purpose of this exhibition was “….. to dramatize the power of static forms and colors to stimulate dynamic psychological responses.”

Conclusion
Geometric Abstraction, through its revolutionary expressions, became a strong influence on fashion, object display, commercial designing, and various other elements in the contemporary society.

In seventeenth and eighteenth century, the subjects of genre painting ran around the peasant’s acts of joy. These acts were like dancing, participating in festivals and many a time doing household and professional works for earning. Most of these subjects explored the sensual experience of the common people, especially the acts of pleasure.

As confined by the definition, and the concept that outline the scope of genre painting, the artists have remained preoccupied in painting the reality. These artists, mainly the Dutch painters, preoccupied themselves in painting the costumes and daily practices of the people living in their immediate surrounding. However the art had never been mere exposition of what the artists saw. These artists applied their observations and artistic analysis while painting the scenes before their eyes.

With the change of the life style of the common people, to, the bath house culture had evolved. These houses were the places where families would go for bathing. They would go in flocks, taking friends and children with them. However there were separate baths for men and women. The bath houses meant for women were staffed by the female servants only.

In some genre paintings we can see bath house where the women bathers are enjoying their bath along with friends. The artists, Jean-Lon Grme, had skilfully depicted the nude females bathing and cleansing their bodies.

I’d like to introduce you to a new kind of digital art; I call it “digital painting” and it is the style of art that I work with the most. What I call digital painting is using a computer graphics program along with a graphics tablet and pen. Yes it’s true, when you use a program you can use a whole array of filters that are available, both free ones and commercial filters but I prefer to paint using mainly the graphics tablet and pen along with the program of choice; in my case I use the Paint Shop Pro program. There are many programs out there, both free such as GIMP and pay-to-use programs including Photo Shop but I’ve found that Paint Shop Pro works well and it doesn’t break a person’s bank account. On occasion I’ll use one of the filters it comes with or that I’ve collected over the years but I mainly do that when I’m designing graphic designs for my website, a client’s site or designing for my clothing and gift stores. I use the included brush types to paint with and just as a regular artist uses smudge tools, erasers and the like, I use the smudge tool and similar tools while I’m painting to give my subject matter life, to make it look like a regular oil, acrylic or water color painting. It’s amazing how when you work with a tablet and pen you can create realistic brush strokes just as you would if you were using a painting palette and brush; you find yourself doing the same sort of movements with your hand and wrist that you would do if you were using the regular tools. One of the best things I’ve found by painting digitally is the way you can create different layers so you don’t have to completely throw away a painting if you mess up. Now, don’t get me wrong, I’ve actually had several experiences where I had to throw out the entire painting and start from scratch but in general you’re able to correct mistakes you’ve made much easier than when you use a canvas and paint. And it’s amazing how many people wouldn’t know my work’s digital if I didn’t tell them it was.

When I first began painting digitally, I used the same techniques I described above but I had to use my computer mouse to do it and let me tell you that after a few months of using the PC mouse to paint it definitely does a number on the wrist; plus I found that there are certain movements you just can’t do with a PC mouse that you can do with a graphics tablet and pen on the computer. I always had a difficult time with any kind of spherical shapes when using the computer mouse; without using the vector tool that is built into the PSP program that is and since I prefer to paint digitally the same way I would if I were using a canvas and brushes I always felt it was cheating to use the vector tool to create circles and other spherical shapes.

When I first connected the graphic tablet and began using it, it took me about 2 or 3 days until I was comfortable with it because when you first use it, you have to get your bearings as far as where you are pointing to on the graphic tablet and how that corresponds to the computer screen. However, once I got the hang of that, I was absolutely in love with this tool! It lets you work so freely with your creations, and I’ve found that I’ll even use my bare finger on the graphics tablet to do the smudging and blending in addition to using the pen that comes along with it because you honestly feel like you’re working with a real palette and canvas when you paint with a tablet. For example, when you use a graphic tablet to paint digitally you can paint fur that is so much more realistic than with a PC mouse; when I paint any animal with fur, I apply each piece of fur strand by strand, one by one, I do the same when I’m painting birds’ feathers and dragons’ scales also; I paint the darkest layer first and then paint lighter layers on top of it to give the animal depth which is also what I do when I am painting the shadows on the animal’s body as well as the bony areas that you can see such as the ankle joints and the like. Also, the shading you can accomplish, using a graphic tablet, on an animal’s eye to give it real depth and authenticity is much more vivid and lifelike in my view than using a PC mouse.

Some critics state that digital painting isn’t real “art” but I have to disagree with them. The definition of “art” as defined by dictionary.com website is, “the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance.” Now I will give you my definition of the word “art” as I see it, being an artist myself, art means taking what I’ve experienced through living, taking examples from nature and putting that into something that can be viewed and shared by everyone. If I can capture the feeling I had when I saw a bald eagle flying or when I get upset by man trying to destroy our environment for greed, if I can capture that emotion and use it to create a painting that is “art”. If I can take the sadness & anger I feel when I lose a loved one and use that energy to create a painting that is “art”. The medium I happen to choose to express those emotions, those ideas is irrelevant. Now, when photography first emerged in the late 1880′s staunch art critics didn’t view this as an art either but as we’ve seen, it’s viewed now as a major form of art with not just magazines using photographs but also museums devoted to photographic art as well. This is what I see happening with digital art and digital paintings; this form of art is a continuation of the never-ending evolution that is “art” and I truly believe that in the future, digital art will be just as respected as the more traditional forms of art because believe me, it’s no less difficult to master, no less temperamental to the creative process; the only difference is, it requires different tools than what many are used to when they think of “art”.

Part 1 – Is Graffiti Art?

I think it’s first important to understand that “art” itself is tough to define. But if you move past formal definitions, art is typically an expression of oneself or a message that an artist is trying to give to the viewer… and it may or may not appeal to other people. Others think art is perhaps an expression of the artist using colors, textures, sounds, etc. to convey the message. Let’s look at a few of pieces of well known art.

1. The Mona Lisa by Leonardo DaVinci. It is painted on a piece of wood and is framed. Why is this art? Shading, the depth, the landscape, the enigmatic smile, etc. Would this be art if it were painted on a brick wall on a side street in Italy? Of course. What makes it art is the picture, not the medium.
2. Guernica by Pablo Picasso. This may be Picasso’s most well known piece of art. Painted mural size on a piece of canvas. Of course, this is art. Would it be art if Picasso painted directly on a wall on the side of a street? Yes. What if he did it without permission? Still art… but illegally painted. You like it?… well it doesn’t matter if you do or not, it’s still art.
3. Sistine Chapel ceiling by Michangelo. It’s art and it’s on a ceiling.

Graffiti art is a style of art. It “fits” the bill to be defined as such and often expresses a very distinct message from the artist (as an example, check out the political messages of Banksy ). Artwork that is painted in this style is absolutely considered art. It can be painted on wood, on canvas, on ceilings, on brick walls, on sidewalks, etc. It is still art regardless of the medium.

Part 2 – Is Graffiti Vandalism? If the street art (graffiti) is painted legally, meaning on property owned by the artist or with permission from the owner, then it is legal street art.

If the street art is painted illegally, meaning on property not owned by the artist, and without permission, then it is still art… but the artist has committed the crime of vandalism.

So, if DaVinci, Picasso, and Michaelangelo were hanging out on 115th Street one Tuesday night and throw up the Mona Lisa, the Guernica, and the Sistine Chapel art work on the side of a laundromat… It is art. But it’s also vandalism. It can be both… it is not an “either / or” question.

Abstract art is a style of painting a departure from reality and was definitely modern at the time. Abstraction in paintings started to make the scene right around the same time modern art became known because it is a painting style classified in the modern art movement. But full blown abstract paintings really started appearing early 1900′s in Europe by the likes of Pablo Picasso and others in the cubism movement. Abstract art really was not created in America until the 1940′s in the abstract expressionism movement with Jackson Pollock at the helm. Because abstract art is a style of painting and not a classification of an art period, abstract paintings are still being created today.

And that brings us to right now. Right now we use the term “contemporary” to define artwork as being created in our lifetime or in the current present moment. So any paintings being created right now are contemporary paintings no matter what the style. What has happened is that people generally use “contemporary art” to describe artwork from the 1970′s until now. It is hard, if not near impossible to define a period while we are living in it. One might wonder, will we always use the word “contemporary” to describe the artwork being created in the present moment? Or will there be an end to the use of the word “contemporary” signifying an end of another artwork period very similarly to how “modern” was used. I don’t know. But in any case, I hope this information has helped and not confused you even more.

The Details
Funk Art would be a reaction from the idealistic seriousness of Abstract Expressionism, that the Funk artists rejected as disconnected from reality and artistic social responsibility. It had been consciously executed in a distasteful manner to this kind of extent that it was considered ‘tatty’ or ‘sick.’ These artists often blended humor with vulgarity and explicit representations. However, bawdiness was not the best aim of Funk Art movement. The performers strived to confront the art scene in Ny through their satirically shocking pieces. Sometimes, these works were also autobiographical anyway that had a flow of the narrative. Sculptures and assemblages formed a great part of the body of works by Funk artists. Three-dimensional static pieces made of ceramic were a prominent style of this genre.

The performers & the Artworks
One of the most prominent names associated with the Funk Art Movement were Edward Kienholz, Bruce Conner, Roy de Forest, Gladys Nilsson, George Herms, Lucas Samaras, James Nutt, Paul Thek, and Colin Self. Other alumni from the University of California, who propagated this art further, included David Gilhooly, Peter Vandenberge, Margaret Dodd, and Chris Unterseher. Artworks, like ‘I’m All a Twit’ by Jim Nutt, had become the signature pieces of Funk Art. It is a operate in varying media, consisting of acrylic paint on vinyl window and enamel paint on wood frame. Similarly, Gladys Nilsson’s paintings capture a curious mixture of domesticity with the fantastical and deranged imagery. David Gilhooly, on the other hand, had mastery in ceramic works and etching. His classic piece ‘The Windshield Sam Francis,’ is composed of aquatint and colored etching.

The background of decorative paintings in the united states dates dating back the first occupation of The united states. While using arrival of immigrants using their company lands and cultures came diverse models and approaches of painting. The immigrants became specifically active in decorative paintings inside the 1800s because they sought to express the brand new environment and lifestyles in their new found land via art. Nevertheless, immigrants from Europe couldn’t totally drop the European impact on art. This explains why designs for example Rosmaling, Bavarian folk art and Zhostova were nevertheless prevalent in early American art. Of those, folk art continues to be most well-liked type of painting. The modern color palette as we know it these days has its origin in folk art as practiced by immigrants towards Americas within the 1800s.

The 1900s marked a brand new dawn for decorative paintings as art types and approaches developed from primitive to exquisite. Despite the fact that it’s difficult to resolve a definition for such paintings because of their evolving nature, the end result is that whatever impact or culture the painting is based, it ought to be appealing on the eye using a combination of careful use of colors, subject outline as well as the painting strokes as executed through the painter. Decorative paintings are mainly done on furniture, walls and a choice of other useful objects. The principal distinction between such and art work paintings mainly lies within the proven fact that the former is performed on utilitarian objects, even though the latter is done on aesthetic objects only. Some definitions nonetheless claim that decorative paintings may be done on either functional or non-functional items.

A superb characteristic of decorative paintings may be the lasting impact of background, culture and regional developments ingrained inside it. The identical can be seen inside the systematic painting techniques, that makes it one of the few kinds of art which is incorporated in academic disciplines to date. In addition to academic training received by painters on the exact same, they are able to use their inherent drawing abilities to add freehand or pre-dawn designs for that paintings. Overall, decorative paintings inside contemporary society are boundless; they incorporate strategies and fashions in the past and adapt to new materials and trends, although tinkering with new decorative types of art inside hope of employing the same later on.

One could go further and reason that knowledge of the humanities is really an important foundation for educated citizenship in our increasingly complicated planet. The replies of artists towards the still-horrifying incidents of 9/11 are only one particular reminder of the significant role the arts play in going through the emotional dimensions of experience, in shaping public discourse regarding critical issues plus formulating visions for the future, both for artists as well as their viewers. With this particular mindset, the humanities are as essential as the humanities, medicine and sciences around the goal of the great public university.

Just what might be less obvious is the a part of art-making as a mode of research. As in the sciences along with other disciplines, those of us within the arts not merely share brand-new methodologies and forms of knowledge, we aid to create them. By definition, the whole process of creating a work of art – a painting, a dance, a musical composition, an architectural design, a theater piece or movie – comes from its inception a research project.

Students are requested to formulate an authentic reaction to a 1 of a kind field of inquiry and also to “publish” their results not just as research papers, but also with the mediums of performance and exhibition. Moreover, the types of outstanding arts practice open to students at UCLA through our museums and performing-arts program assist to produce a distinctive laboratory for an additional generation of cultural innovators. The arts are medium of intellectual and moral inquiry, just one way of investigating the ever-changing planet, of discovering the meaning of memory and tradition, as well as charting the inner, subjective surfaces of human experience. Equally as the medical sciences focus on extending and improving the quality of life, the humanities allow us to to understand the essential causes of that life, the greater deeply values, visions and commitments that sustain our will to live. Study regarding the arts because of its nature challenges the boundary between concept and practice – between being aware of and knowing how.

The very first individuals to understand how music works were the traditional Greeks. Which is going to fascinate you; the Greeks says music and astronomy were 2 sides of the same coin. Astronomy was viewed as study regarding associations between visible, permanent, external objects, and music was seen as study regarding relationships between invisible, internal, hidden objects. Music has a method of choosing the large, invisible moving pieces inside our hearts and souls and assisting us determine the positioning of things inside ourselves. Let me offer you some examples of exactly how this works.

Mixed Media Artists are much like musicians simply because of the wonder they create. One of the most profound musical compositions ever may be the Quartet for the End of Time compiled by French composer Olivier Messiaen in 1940. Messiaen was thirty one years old when France experienced fighting against Nazi Germany. He was caught through the Germans in June of 1940, sent across Germany in a cattle car and imprisoned in a concentration camp.

Ironically, nowadays, many societies care more about what goes on without tracing the root cause. For instance, it is easier to point accusing fingers for an armed robber without knowing situations that warrant such acts. No surprise, even just in the court of law judgments are entirely passed base on facts instead of truth. While it is easy to fabricate facts within a short period of time in defense from the wrong in the society, it takes a comparatively longer time legitimate truth to be revealed. What then can one say of art?

For an artist to stay down in his/her studio for several hours or days if not weeks, to produce a good article of art is clear indication that there should be something behind it. Whether an embodiment of his/her ideas about the society or something like that that is relatively not even close to just creating for creating sake. A piece of art, being it a painting, sculpture, song, a write-up, decoration, a play etc, is supposed to serve a certain purpose in the society that can cause it. Obviously, I’ve often seen art as any product or activity produced for the audience that involves the expression of thoughts, feelings, ideas etc in a creative manner via a given medium. Going by the above mentioned definition, a song is really a piece of art.

The rhythms that accompanied it with the sound of musical instruments are the creative attributes of the song. This is from the song’s wordings have to do with the content while the singing in this instance is medium that the artiste expresses his/her feelings, thoughts or ideas about the society he/she lives in. People who listen to the song are automatically the crowd. Also, a bit of painting is definitely an artwork. Painting is a medium that the artist expresses his/her ideas, thoughts, or feelings concerning the society he or she lives. The manipulation of colours on the canvas to achieve harmony/colour rhythm or good composition is the creativity involved. The viewers from the painting are automatically the audience.

Who is the fine art designed for? A work of art once produced is like a finished product on the market. This does not suggest the artwork must be bought in the same way other products are being purchased in the marketplace. In the art world, art receives its highest reward not by individuals who by it but people who ‘appreciate’ it most. The implication of the word “appreciate” is that, you will find other people who won’t be thankful for obvious reasons, yet that won’t affect the work of art itself. This means that, it’s not everyone which will enjoy it; and again, it is loved by many people.

Some get drawn to it likely because of the style in which the artist utilized in executing the job, although some enjoy it simply because the title reminds them of something they are familiar with as well as familiar with yesteryear. Another person might enjoy it simply because of the colours while some will not. To this end, individuals will respond to it differently base on how they view it. But most importantly, people often forget that somebody (a painter) produces the work and in all likelihood it’s his/her comment about something within the society he/she lives. This type of comment is probably designed to correct a wrong or perhaps an indirect way of exposing an evil practice for that advantage of a target group or a particular audience in the society.

It therefore means that, every artwork so long as it created by a painter, it is for any purpose. It either serves the artist that can cause it or the society that the artist lives in. Good art for wrong audience: A primary reason why art is usually misconstrued happens when a great piece of art work is located in a odd environment. Imaging a grotesque looking African mask of either the Ibibio tribe or Benin people hung in hospital OPD (Out Patients Department) where individuals are waiting for a doctor to receive strategy to their various ailments. The scary looks of such a mask alone is sufficient to trigger other sicknesses or even more pain than it ordinarily said to be. It means when a piece of art is really positioned in right environment, it will serve the society better than mere occupying a wall/space within the name of decoration.

Hence, every art work is created for a particular audience and unless it is positioned in the right put it will lost it essence. In traditional African societies for instance, art was highly functional such that anywhere a bit of art was discovered, it has a link to environmental surroundings where it is positioned. Taking it of its original place, changes its meaning contextually against certain beliefs of the community that has such art. In attempting to understand the meaning of a specific work of art, a couple of things are paramount in this case. The very first is the perceive concept of the art work and the second is the environment where the art work can be found. The perceive meaning has to do collectively with physical attributes such as the lines, the colours, the shape, shape or the portrayed imaging of the work, while the second helps one to understand the environment where the artwork is found. Because of this, the fine art sometimes behave as a sign which helps in defining this is from the place one find him/herself.

A work of art: A truth or perhaps a fact? A piece of art work could be a ‘fact’ in addition to ‘truth’ when placed in the right environment and can be none of these when present in a wrong place. It can be a fact when the physical components/attributes: the motifs, forms, colours, the styles indicate recognizable issues within the society which individuals understand. It may be ‘truth’ when the people understand the message and act within the direction that will correct an incorrect or evil within the society they live. Indeed, no art is just created, in a single way or the other it’s designed to serve a certain purpose within the society that can cause it.

Different cycles bring upon various art movements and concepts to artists, sculptors, even writers. Joan Miro was a painter which was relying on Cubism, Fauvism, Dada and was mostly associated with Surrealism. Surrealism was started with a writer, Andre Breton who wanted to explore the unconscious mind. To get this done, artist would take drugs or deprive themselves from food and work from their hallucinations. During Surrealism, artists also did atomic drawing, letting the pencil lead their scribbles and making something appear in the entire mist of it. Surrealism was a creative art form that didn’t wish to work in a traditional style but was seen as irrational and anti-logical.

Jackson Pollock was also an artist that went up and beyond to produce art that was not traditional and was questionable for its logic and meaning. Pollock was a united states artist and a part of a united states art movement, abstract expressionism. The idea of this art movement was all about taking chance and accepting accidents, even though every artist had charge of what they were doing. Abstract Expressionism would be a post The second world war art movement full of tension and anxiety and can be viewed through painting like Willem de Kooning Woman I. There was additionally a sense of freedom and movement in many canvases during this period particularly in Pollock’s works.

Joan Miro’s The Birth of the World is oil on canvas that stands about 8feet high by 6.5 feet long. The painting is dark and mainly composed of black, and hints of orange, yellow, blue, and white paint. Miro provides for us an idea exactly what the composition is about by providing the canvas a title, The Birth around the globe. The title also throws us of and makes us wonder just how can this be the birth around the globe, is the orange circle a balloon or perhaps a sperm? Is the black triangle a symbol of a woman or a kite? The canvas might be a representation from the beginning of the world or world of new inventions. Within the Chipp’s book Miro asserted; “For me a form isn’t something abstract; it is always an indication of something. It is usually a guy, a bird, or anything else. For me personally painting isn’t form for form’s sake…” (pg 432). Following the First World War, the economy did not flourish well and this painting could be a great example of the dark and hardship ” new world ” that had to start on your own.

Jackson Pollock doesn’t name most of his painting and if he is doing, he gives then numbers or weird titles that have absolutely nothing to use his vast swirl of lines. Pollock painting is oil and paint on canvas that stands about 9 feet high and 17.5 feet long. Such as the Miro painting, it is also composed of dark and few colors; black, white, grays, brown and greens. Instead of just making us take a look at one spot or form, we have to take notice of the painting fully from one corner towards the other. Pollock’s One: Number 31, 1950 isn’t a portrait, a still life or a landscape but it’s a canvas that’s moving and filled with anxiety and heavy paint. The movement within the painting makes me think of nature and massive wind combusting everything together and which makes it hard for us to determine the landscape inside it.

Pollock and Miro are artists which were both a part of movements that wanted to be distinguished in the rest and aim greater than the legends and movements before them. Pollock’s method of painting became revolutionary and also was seen as true American art since there actually was not just one art movement that belonged to America until abstract expressionism. Pollock used house paint and various size sticks to compose his pieces of art. He composed huge canvases which were laid flat on the ground and were stepped and walked on so as get to the whole canvas and make the texture and elegance that Pollock desired. Jackson Pollock physically stepping to the canvas in order to create his work makes him area of the canvas.

Miro did not step onto his canvas but his art was also admired by some and viewed as true surrealism. When examining The Birth of the World, the cubism and dada influence are defined by the geometric shapes, lines and the nonsense or surreal images. Like Pollock, Miro also appeared as if he liked lines but used brush strokes and paint to produce them. Miro’s brush strokes are wild and fast as though he only agreed to be attempting to dirty the canvas before he paints in the figures or objects onto it. There are five black lines of horizontal type at the top left area of the canvas that may be a mention of the the dark, night sky. Near the horizontal lines are five blue vertical lines on the right that may define the days, bring, blue sky. At the end left corner of the canvas is a person-like figure having a white head and maybe five long finger-like structures being extended. Unlike Pollock’s painting, Miro’s lines possess a beginning and an end and don’t project exactly the same movement and feeling of motion inside them. Within an interview with Johnson Sweeney in 1947, Miro talks about one of his paintings, The Farmer’s Wife, and how he added the circles and angular lines for balance. He explained; “They look symbolic, esoteric: but they are no fantasy. These were put in to create the picture into equilibrium” (Chipp, pg 432). Despite the fact that you will find five lines on the three corners from the painting they might be there only for balancing the canvas rather than having significant meanings.

Jackson Pollock’s line drawings are very whimsical and form a ritual dance almost. The circular lines flow in a musical swirls and in some methods is spontaneous but have a controlling gesture and focus. There is a degree of control and even equality on each side from the all over composition. Pollock said; “I don’t worry of making changes, destroying the look, etc., since the painting includes a life of its own. I attempt to let it come through. It is simply when I lose control with the painting the result is a mess. Otherwise there’s pure harmony, a simple cooperation, and the painting emerge well” (Chipp, pg 548). Pollock’s One: Number 31, 1950 is incorporated in the harmony that he speaks of even with the thickness and heaviness of the layering in the paint it gives of musical notes.

Miro’s The Birth around the globe is composed of lines, circles, triangles and smaller circular dots. The way that the dark parts are painted makes it seem like there was charcoal smudged into the canvas and not paint. Until Pollock’s canvas, Miro’s is not an all over composition and does not possess a thick layering or dripping process but they still have equality and well balance compositions. Both artists also share the freedom of letting the canvas do its wonder using the painters only having the ability to help by feeding it paint. In Pollock’s case, the liberty to work from the unconscious, spontaneous mind is what made his painting a breakthrough making him wanting to mark his territory. For Miro, being hungry and forming hallucinations from blank walls, seeing things that are not there and projecting them to the canvas was dealing with his unconsciousness and great imagination.